The result could be a flat-looking, low-contract HDR image.īut don’t worry because you can fix this with tone mapping. That means you need to compress the dynamic range of your HDR photo in order to display it on a regular monitor. HDR images are 32-bit files, while most monitors can display 8 or 16-bit files. But one problem with HDR images is that they are not compatible with regular, low-contrast display tools. HDR photography works by taking multiple snaps of a high-contrast scene at different exposure levels and then blending them together in post-processing to create a single image comprising of the best parts of each snapshot. You can fix this to some extent with Photoshop or by using the Highlights/Shadows slider in Adobe Camera Raw (ACR) or Lightroom, but High dynamic range (HDR) photography is by far the best solution to this problem. When you do the opposite (expose for the bright sky), the dark areas lose all the detail. When you set the exposure for the dark areas, the highlights get blown out to white. Unlike human eyes, digital cameras cannot capture both the brightest and darkest parts of an ultra-high-contrast scene, with equal clarity.ĭownload our Free ebook: Quick Start Guide to Affinity Photo If you’ve ever tried capturing the bright sky against a dark foreground on a sunny day, you’d know the challenge. Capturing high contrast scenes often requires merging several exposures into a single image using a HDR tool like the inbuilt Affinity Photo HDR Merge tool. Even though cameras are continually improving. High contrast scenes are the bane of digital photography.
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